Unfortunately, DeFanti continues, "Though this is a fascinating story, the wisdom of presenting it in this form is questionable." Now, the head, the intelligence by way of the ear to the syllable—which he calls also 'the king and pin'—is the unit upon which all builds. . His first career was in politics, but he soon turned to writing and by the late Forties his work had received major attention. But breath is man's special qualification as animal. He wrote on a typewriter. View Charles Olson II’S profile on LinkedIn, the world’s largest professional community. In Projective Verse (1950), Olson called for a poetic meter based on the poet's breathing and an open construction based on sound and the linking of perceptions rather than syntax and logic. Charles Olson was an innovative poet and essayist whose work influenced numerous other writers during the 1950s and 1960s. . In his influential essay on projective (or open) verse, Olson asserts that "a poem is energy transferred from where the poet got it (he will have some several causations), by way of the poem itself to, all the way over to, the reader. It is not simple poetry, much of it being fragmentary and experimental. When he was about two years old the family moved to Detroit, Michigan. Wrote Olson: "It's as though you were hearing for the first time—who knows what a poem ought to sound like? Robert Duncan, in his essay "Regarding Olson's 'Maximus,'" writes: "Olson insists upon the active.  Olson wrote copious personal letters and helped and encouraged many young writers. The timing overlaps with Jane Jacobs somewhat. Charles Olson.  From 1965 until his death, Olson received a generous, informal annuity (nominally rendered for his services as editorial consultant to Frontier Press) from philanthropist and publisher Harvey Brown, a former graduate student at Buffalo; this enabled him to take an indefinite leave of absence from his Buffalo professorship and return to Gloucester. In this capacity, he participated in Franklin Roosevelt's 1944 presidential campaign, organizing "Everyone for Roosevelt," a large campaign rally at New York's Madison Square Garden. In particular, DeFanti cites the editing as "uneven," the texts incomplete, and ineffective or nonexistent notes: "Gaps in information are wide, references are obscure, and even fans of the two writers will need a Webster's Unabridged close at hand." by Paul A. Lacey and Anne Dewey. At that point, they moved to Washington, D.C., where he worked in the Foreign Language Division of the Office of War Information, eventually rising to associate chief under Alan Cranston. Charles Olson (1910-1970) was born in Worcester, Massachusetts. During this period, he was employed as the publicity director for the American Civil Liberties Union (May 1941-July 1941) and as chief of the Common Council for American Unity's Foreign Language Information Service (November 1941-September 1942). Charles L. DeFanti in Washington Post Book World pursues a similar thread: "By itself, the psychopathology in the Dahlberg/Olson friendship is enough to maintain the reader's fascination, but Christensen wisely de-emphasizes clinical aspects in order to evaluate the literary issues surrounding these two bizarre American writers." It is discriminating by way of what it hears." It includes letters to other writers, such as Edward Dahlberg, published in In Love, In Sorrow as well as to the entire town of Gloucester via The Gloucester Times (Maximus to Gloucester.) , In January 1964, Kaiser was killed by a drunk driver in a head-on automobile accident, although a grieving Olson incorrectly theorized her death as a potential suicide because of her dissatisfaction with her life in the Buffalo area. Charles Olson (27 December 1910 – 10 January 1970), was a second generation American modernist poet who was a link between earlier figures such as Ezra Pound and William Carlos Williams and the New American poets, which includes the New York School, the Black Mountain School, the Beat poets, and the San Francisco Renaissance. Charles Olson, 1950 PROJECTIVE VERSE (projectile (percussive (prospective vs. Olson believes that "in any given poem always, always one perception must must must MOVE, INSTANTER, ON ANOTHER!"  He subsequently joined the permanent faculty at the invitation of the student body in 1951 and became Rector shortly thereafter. Ten Pound Island Press's motivation in publishing the texts in 1993 was to accomplish similar aims, as well as to "reintroduce Olson to Gloucester, this time as poet," notes Young. While Mobilio finds that the selections "tilt towards the Maximus Poems," he remarks that "the appearance of a sleek , intelligently honed selection of Olson's unwieldy oeuvre is reason to cheer." . The other child is the LINE. He believes "it is from the union of the mind and the ear that the syllable is born. And how do you get it thar ezcept as you do— you, and nobody else (who's a poet?. Analysis of Charles Olson’s Poems By Nasrullah Mambrol on July 15, 2020 • ( 1). The heart, then, stands, as the primary feeling term. Olson's original aim in writing these letters and poetry was to preserve Gloucester as a "living entity," according to Karl Young in American Book Review. And the line comes (I swear it) from the breath. His second collection, The Distances, was published in 1960. The scope of Olson's work is "as broad as Pound's," writes Kenneth Rexroth. He was born January 23, … Despite financial difficulties and Olson's eccentric administrative style, Black Mountain College continued to support work by Cage, Creeley, Allen Ginsberg, Robert Duncan, Fielding Dawson, Cy Twombly, Jonathan Williams, Ed Dorn, Stan Brakhage, and many other members of the 1950s American avant-garde throughout Olson's Rectorship. Charles has 1 job listed on their profile. Studio Recording at Black Mountain College, made by Robert Creeley c. 1954, first issued as a record . "It is the advantage of the typewriter that, due to its rigidity and its space precisions, it can, for a poet, indicate exactly the breath, the pause, the suspensions even of syllables, the juxtapositions even of parts of phrases, which he intends. these letters are addressed to a man who embodies authority, an older writer with experience and personal contacts useful to a beginner." until it's thar? In Love, In Sorrow: The Complete Correspondence of Charles Olson and Edward Dahlberg, editado y con una introducción de Paul Christensen, Paragon House, 1990. The Collected Poems of Denise Levertov, ed. . He was born in Brownsboro, TX to Clifford and Lillie Mae Olson on October 30,1938. Olson's correspondence has been published in a number of volumes. 11700970, citing Beechbrook Cemetery, Gloucester, Essex County, Massachusetts, USA ; Maintained by Find A Grave .  His first poems were written in 1940. He favored metre not based on syllable, stress, foot or line but using only the unit of the breath. "Letter 27 [withheld]" from The Maximus Poems weds Olson's lyric, historic, and aesthetic concerns. This is not easy. Charles Olson was an innovative poet and essayist whose work influenced numerous other writers during the 1950s and 1960s. .)" Duncan traces Olson's aesthetics to nineteenth-century American sources: "I point to Emerson or to Dewey," writes Duncan, "to show that in American philosophy there are foreshadowings or forelightings of 'Maximus.' Charles Olson (27 December 1910 – 10 January 1970) was a second generation modern American poet who was a link between earlier figures such as Ezra Pound and William Carlos Williams and the New American poets, which includes the New York School, the Black Mountain School, the Beat poets, and the San Francisco Renaissance.Consequently, many postmodern groups, such as the poets of the … Over the twenty years of correspondence, that relationship changed to one of peers, then disintegrated as Olson's poetry matured. But the syllable is only the first child of the incest of verse. He received his BA and MA from Wesleyan University. . He graduated with academic honors from Crestview High School in 1964. I've been trying to help people all my life - that's my trouble - Charles Olson quotes from Love Expands Share with your friends. It is with great sadness that the family of Charles Palmer Olson announce his passing on Saturday June 27, 2020. Author of dance-play "Apollonius of Tyana," 1951. BY CHARLES OLSON I have had to learn the simplest things last. David was born on June 25 th, 1933 in Lincoln, Nebraska to Carl Wilhem and Charlotte Angela Joyce Olson. . Anyone familiar with contemporary poetry would agree with Robert Creeley when he calls Olson "central to any description of literary 'climate' dated 1958." In his influential essay on projective (or open) verse, Olson asserts that "a poem is energy transferred from where the poet got it (he will have some several causations), by way of the poem itself to, all the way over to, the reader. Dogtown, the wild, rock-strewn centre of Cape Ann, next to Gloucester, is an important place in The Maximus Poems. Olson's influence has been cited by artists in other media, including Carolee Schneemann and James Tenney.. The letters in In Love, In Sorrow illustrate the younger Olson's early relationship to Dahlberg as that of an apprentice. While at Black Mountain, he had a second child, Charles Peter Olson, with one of his students, Betty Kaiser. It is a dogmatic, irritable, passionate voice, of the sort that the modern world, to its sorrow very often, is forever seeking out; it is not a clear voice, but one troubled by its own confusions which it carries into the attack." Olson’s first-published poems: “A Lion upon the Floor” (January) and “For K” (February) in Harper’s Bazaar , “Pacific Lament” in Atlantic Monthly (March) and “Lower Field – … . It was first published in 1949 and collected in his first book of poetry, In Cold Hell, in Thicket (1953). I take it that PROJECTIVE VERSE teaches, is, this lesson, that that verse will only do in which a poet manages to register both the acquisitions of his ear and the pressures of his breath." For the first time the poet has the stave and the bar a musician has had. Charles Olson passed away peacefully on Thursday, January 30, 2020 in Tyler at the age of 81. Robert Creeley explains thus: "What he is trying to say is that the heart is a basic instance not only of rhythm, but it is the base of the measure of rhythms for all men in the way heartbeat is like the metronome in their whole system. So that when he says the heart by way of the breath to the line, he is trying to say that it is in the line that the basic rhythmic scoring takes place.  At 204 cm (6'8"), Olson was described as "a bear of a man," his stature possibly influencing the title of his Maximus work. The two halves, he says, are: "the HEAD, by way of the EAR, to the SYLLABLE/the HEART, by way of the BREATH, to the LINE." Which made for difficulties. He was writing teacher and then rector at Black Mountain College, where Robert Creeley came to teach as well. But even my trade, at it, I stood estranged from that which was most familiar. Olson did not consider himself "a poet" or "a writer" by profession, but rather that nebulous and rare "archeologist of morning," reminiscent of Thoreau. (Olson’s writings about Pound are collected in Charles Olson and Ezra Pound: An Encounter at St Elizabeths, 1975.) Charles Paul Olson, Jr.January 23, 1944 - November 10, 2020Charles Paul Olson Jr died November 10, 2020, in Ogden, Utah. Olson goes by ear, and his lines are breath-conditioned. . The last of the three volumes imagines an ideal Gloucester in which communal values have replaced commercial ones. . Form is only an extension of content and "right form, in any given poem, is the only and exclusively possible extension of content under hand. Olson's striding poetic syllables, says Duncan, are "no more difficult than walking." It will be most practical to approach Olson after some detailed work with poems by Eliot, Ezra Pound, and William Carlos Williams.Despite many stylistic similarities, Olson's poetic "enactment" dictates a different kind of progression and a different use of literary and other allusions. His transdisciplinary poetics were informed by a range of disparate and learned sources, including Mayan writing, Sumerian religion, classical mythology, Alfred North Whitehead's process philosophy (as exemplified by Process and Reality ) and cybernetics. Sound is a dimension he has extended. . . His earliest poems were written in 1940. . He was writing teacher and then rector at Black Mountain College, where Robert Creeley came to teach as well. For the first time he can, without the convention of rime and meter, record the listening he has done to his own speech and by that one act indicate how he would want any reader, silently or otherwise, to voice his work.". You don't help people in your poems. Charles Olson was an innovative poet and essayist whose work influenced numerous other writers during the 1950s and 1960s. Work is represented in anthologies, including The New American Poetry: 1945-1969, edited by Donald M. Allen, Grove, 1960, and The Norton Anthology of Modern Poetry, edited by Richard Ellmann and Robert O'Clair, Norton, 1973. He described himself not so much as a poet or writer but as "an archeologist of morning. Ed Dorn’s Gunslinger reimagines America’s frontier myths. Riddel, Joseph N., and Mark Bauerlein, editor. Contributor to Twice-A-Year, Black Mountain Review, Big Table, Yugen, Evergreen Review, Origin, Poetry New York, and other periodicals. How an experimental college helped revolutionize mid-century poetics. . Albert Glover in American Book Review comments, "What distinguishes this correspondence . The Times Literary Supplement notes that "culture, civilization, history (except history as personal exploration as in Herodotus) and, above all, sociology, are dirty words for him." , The death of Roosevelt and concomitant ascendancy of Harry Truman in April 1945 inspired Olson to dedicate himself to a literary career. Listen to music from Charles Olson like I Am the Gold Machine (with Intro. , Olson's first book, Call Me Ishmael (1947), a study of Herman Melville's novel Moby Dick, was a continuation of his M.A. Maximus to Gloucester: The Letters and Poems of Charles Olson to The Gloucester Times, 1962-1969, editado por Peter Anastas, Ten Pound Island Press, 1993 . "[clarification needed]. In another review, a Village Voice Literary Supplement contributor cites Olson as "the most American of this century's poets" and praises the volume: "At last we have the quintessential American format—the portable—from which we can savor his rare and agile brilliance." Consequently, many postmodern groups, such as the poets of the language school, include Olson as a primary and precedent figure. .  He then received the first of two Guggenheim Fellowships for his studies of Melville; a monograph derived from his master's thesis and subsequent research, Call Me Ishmael, was published in 1947. Charles Olson PoemTalk Podcast #34, discussing Olson's Maximus poems, July 26, 2010. . A seminal figure in post-World War II literature, Charles Olson (1910-1970) has helped define the postmodern sensibility. Find a Grave, database and images (https://www.findagrave.com: accessed ), memorial page for Dr Charles Olson (27 Dec 1910–10 Jan 1970), Find a Grave Memorial no. Butterick, George F. and Blevins, Richard. . Increasingly disenchanted with politics, he turned down both posts. Maximus to Gloucester, Olson's correspondence to his hometown newspaper The Gloucester Times, fares better.  After completing his M.A., Olson continued his Melville research at Wesleyan during the 1933-1934 academic year with partial fellowship support. . On Nathaniel Mackey, Winner of the 2014 Ruth Lilly Poetry Prize. , Upset about the increasing censorship of his news releases, Olson went to work for the Democratic National Committee as director of the Foreign Nationalities Division in May 1944. Enjoy the best Charles Olson Quotes at BrainyQuote. Chuck attended Detroit Public Schools until his last two years of high school when he became a student at the Leelanau School in Glen Arbor, MI. Charles Olson (1910-1970) was born in Worcester, Massachusetts. Nature works from reverence, even in her destructions (species go down with a crash). M. L. Rosenthal comments: "The problem is to get back to sources of meaning anterior to those of our own state-ridden civilization and so to recover the sense of personality and of place that has been all but throttled." He himself owed a great deal to Ezra Pound, William Carlos Williams, and Edward Dahlberg. . Olson was born to Karl Joseph and Mary (Hines) Olson and grew up in Worcester, Massachusetts, where his father worked as a mail carrier. On December 27, 1910, Charles Olson, the son of Karl Joseph Olson, a postman, and Mary Hines, was born in Worcester, Massachusetts. Olson's influence extends directly to Creeley, Duncan, Denise Levertov, and Paul Blackburn, and, as Stephen Stepanchev notes, Olson's projective verse "has either influenced or coincided with other stirrings toward newness in American poetry." . So, all the conventions that "logic has forced on syntax must be broken open as quietly as must the too set feet of the old line." At high school he was a champion orator, winning a tour of Europe (including a meeting with William Butler Yeats) as a prize. Shortly before his death, he examined the possibility that Chinese and Indo-European languages derived from a common source. , In 1941, Olson moved to New York City's Greenwich Village and began living with Constance "Connie" Wilcock in a common-law marriage; they had one child, Katherine. Okay. The magnitude of Olson's work can be viewed in the 1993 volume Selected Poems, which was edited by Creeley, "Olson's running mate' and poetic heir," according to Albert Mobilio in the Village Voice Literary Supplement. Olson became the publicity director for the American Civil Liberties Union. In January 1945, he was offered his choice of two positions (including Assistant Secretary of the Treasury and the Cabinet-rank Postmaster General) in the Roosevelt administration. Charles E. Olson, Jr. was born to Charles E. Olson and Mildred Schlimme Olson on February 18, 1931, in Minneapolis, Minnesota. In 1941, Olson moved to New York, and joined Constance Wilcock in civil marriage; the couple had a child, Katherine. Olson's themes are among the largest conceivable: empowering love, political responsibility, historical discovery and cultural reckoning, the wisdom of dreams and the transformation of consciousness—all carried in a voice both intimate and grand, American and timeless, impassioned and coolly demanding. He also wrote for the Office of War Information from 1942 – May of 1944. in the discipline (with a thesis on the oeuvre of Herman Melville) in 1933. Charles Olson (27 December 1910 – 10 January 1970) was a second generation modern American poet who was a link between earlier figures such as Ezra Pound and William Carlos Williams and the New American poets, which includes the New York School, the Black Mountain School, the Beat poets, and the San Francisco Renaissance. Olson's ideas came to influence a generation of poets, including writers such as Duncan, Dorn, Denise Levertov, and Paul Blackburn. How a trip to dig in Mexico’s Mayan ruins transformed Charles Olson's writing. Genealogy profile for Charles Olson Charles Olson (Olsson) (1855 - 1944) - Genealogy Genealogy for Charles Olson (Olsson) (1855 - 1944) family tree on Geni, with over 200 million profiles of ancestors and living relatives. He spent summers in Gloucester, Massachusetts, which was to become his adopted hometown and the focus of his writing. Following his diagnosis, he was transferred to New York Hospital for a liver operation, which never occurred. Olson entered Harvard University as a doctoral student in English in 1936. Hosted by Al Filreis and featuring poets Charles Bernstein, Rachel Blau DuPlessis, and Bob Perelman. Language is one of his proudest acts. I keep thinking, it comes to this: culture displacing the state."  He studied English literature at Wesleyan University, where he graduated Phi Beta Kappa in 1932 before earning an M.A. . In 1950, inspired by the example of Pound's Cantos (though Olson denied any direct relation between the two epics), Olson began writing The Maximus Poems. Listen to the complete recording and read program notes for the episode at Jacket2. Charles Olson in Connecticut We found 20 results for Charles Olson in Avon, Bethel, and 30 other Connecticut cities. is the character of the figure to whom Olson writes and the nature of the issue that clearly hangs in the balance: identity. He recently lived in Seattle, WA where he worked as a welder for the Iron Workers Local Union.  The presentation of the poem on the page was for him central to the work becoming at once fully aural and fully visual The poem "The Kingfishers" is an application of the manifesto. Educated at Wesleyan and Harvard Universities and the recipient of two Guggenheim Fellowships, Charles Olson had a distinguished career in academia and politics before becoming a serious poet. Los Angeles: University of California Press, 1997: p. 379, "Charles Olson Biography (University of Connecticut Libraries)", Olson profile at Academy of American Poets, "Chronology of Charles Olson's life and work 3", Olson Biography, University of Connecticut, The Charles Olson Research Collection (Archives) at the Thomas J. Dodd Research Center, University of Connecticut Libraries, "Charles Olson in the Tradition of Walt Whitman", Essay on Olson as Visionary Poet. The monumental artistic movement that changed poetry forever. He was 72 years old. David Charles Olson, loving husband, father, brother, and son passed away peacefully with his wife by his side on Monday, October 26, 2020 in Thousand Oaks, California. Charles Olson was born in Worcester, Massachusetts, the son of a letter carrier and his wife, who spent summer vacations by the sea in Gloucester, Massachusetts, thirty miles from Boston. Charles was a beloved son, brother, uncle, cousin, nephew, and friend. Find a Grave, database and images (https://www.findagrave.com: accessed ), memorial page for Charles J. Olson (29 Aug 1858–27 Jan 1949), Find a Grave Memorial no. . The sea was not, finally, my trade. (Olson used to write outside while sitting on a tree-stump in Dogtown. People Search, Contact Information, Public Records & More Charles Olson (1910-1970) Contributing Editor: Thomas R. Whitaker Classroom Issues and Strategies. Carl was a loving father who always put his children first. "Editors' Notes," Collected Prose. Find the latest tracks, albums, and images from Charles Olson. He eventually joined the newly-formed doctoral program in American Civilization as one of its first three candidates. ), The whole work is also mediated through the voice of Maximus, based partly on Maximus of Tyre, an itinerant Greek philosopher, and partly on Olson himself. Olson coined the term postmodern in a letter of August 1951 to Robert Creeley. A Times Literary Supplement reviewer observes that Olson's style is at times a "bouncy, get-in-with-it manner," often involving the "juxtaposition of a very abstract statement with a practical, jocular illustration of what the statement might imply." Maximus, To Himself, As the Dead Prey Upon Us, I, Maximus of Gloucester, to You The head, in contrast, is discriminating.  From 1946 to 1948, Olson visited Ezra Pound at St. Elizabeths Hospital; however, he was repelled by Pound's increasingly fascist tendencies.. . Charles was born in Washington D.C. and raised in Raleigh, N.C. For two years thereafter, he taught English as an instructor at Clark University in Worcester, Massachusetts. 141131756, citing Bayside Cemetery, Sturgeon Bay, Door County, Wisconsin, USA ; Maintained by kellbell1984 (contributor 47721655) . Her death precipitated Olson into an existential mixture of extreme isolation, romantic longing, and frenzied work. . Referring to Dahlberg's identity as a "confessional" writer, Glover notes, "I find in [the correspondence] more evidence of Olson's need to define an acceptable relation of personal life to creative work." Charles "Carl" Olson, of Mansfield, passed away Saturday, August 24, 2019 in his sleep. Even at sea I was slow, to get the hand out, or to cross a wet deck. thesis at Wesleyan University.. But it has, says Rosenthal, "the power of hammering conviction—something like Lawrence's but with more brutal insistence behind it. Charles Olson (27 December 1910 - 10 January 1970), was a second generation American modernist poet who was a link between earlier figures such as Ezra Pound and William Carlos Williams and the New American poets, which includes the New York School, the Black Mountain School, the Beat poets, and the San Francisco Renaissance. Then the poem itself must, at all points, be a high energy-construct and, at all points, an energy-discharge." In his influential essay on projective (or open) verse, Olson asserts that "a poem is energy transferred from where the poet got it (he will have some several causations), by way of the poem itself to, all the way over to, the reader. In this respect Olson was foreshadowed by Ralph Waldo Emerson's poetic theory on breath.  Much of his life was marred by heavy smoking and drinking, which contributed to his early death from liver cancer. , Olson, Charles, Donald M. Allen, and Benjamin Friedlander. Retrieved 2012-29-02, Records of Charles Olson are held by Simon Fraser University's Special Collections and Rare Books, https://en.wikipedia.org/w/index.php?title=Charles_Olson&oldid=1000551908, People of the United States Office of War Information, Wikipedia articles needing clarification from December 2020, Wikipedia articles with CANTIC identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Constance (Connie) Wilcock, Elizabeth (Betty) Kaiser. Charles Olson was an innovative poet and essayist whose work influenced numerous other writers during the 1950s and 1960s. 9 poems of Charles Olson. And by an inverse law his shapes will make their own way. He began work on his opus, The Maximus Poems, in the mid … Olson thus rejected "academic" verse, with its closed forms and alleged artifice. A year later, he and his wife moved to Washington, D.C..He worked in th… Kaiser became Olson's second common-law wife following his separation from Wilcock in 1956. . Photo by Nat Farbman/The LIFE Picture Collection via Getty Images, An Introduction to the Black Mountain Poets, Back to Geography: A Discussion of Charles Olson's "Maximus, to Gloucester, Letter 27". When Black Mountain College closed in 1956, Olson oversaw the resolution of the institution's debts over the next five years and settled in Gloucester. . The NON-Projective (or what a French critic calls “closed” verse, that verse which print bred and which is pretty much what we have had, in English & American, and have still When Olson knew he was dying of cancer, he instructed his literary executor Charles Boer and others to organize and produce the final book in the sequence following Olson's death. ), Into the Stream, Gloucester / The Frontlet / To Enter Into Their Bodies & more. . Homo maximus wrests his life from the underworld as the Gloucester fisherman wrests his from the sea." Charles Olson was a second generation American modernist poet who was a link between earlier figures such as Ezra Pound and William Carlos Williams and the New American poets, which includes the New York School, the Black Mountain School, the Beat poets, and the San Francisco Renaissance. Charles was born November 22, 1946, in Mansfield, Ohio to Charles Glen and Wilma Lorraine (Merritt) Olson.  He died there in 1970, two weeks past his fifty-ninth birthday, while in the process of completing his epic, The Maximus Poems. Following Roosevelt's re-election to an unprecedented fourth term, he wintered in Key West, Florida. In this aesthetic, conception cannot be abstracted from doing; beauty is related to the beauty of a archer hitting the mark." Charles Olson was a second generation American modernist poet who was a crucial link between earlier figures like Ezra Pound and William Carlos Williams and the New American poets, a rubric which includes the New York School, the Black Mountain School, the Beat poets, and the San Francisco Renaissance. Also wrote for the first child of the student body in 1951 and rector... A welder for the first time—who knows what a poem ought to sound?. Not, finally, my trade, at 16:16 such as the poets of the to! Such as the poets of the student body in 1951 and became rector shortly thereafter the composer John and! 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